玉龙雪山-远眺Nikon F100，Zeiss ZF 25 2.8 Distagon，Kodak e100vs

玉龙雪山Nikon F100，Zeiss ZF 25 2.8 Distagon，Kodak e100vs

再一张，童年记忆Rolleiflex 3.5f Xenotar Fujifilm Superia 100

原来LZ在济南啊，在哪里冲片？自己扫描吗？

无忌高手如云，想必很多人知道，一沙一世界 实际上是一首长诗的前四句，作者威廉·布莱克（William Blake）是18世纪末、19世纪初的英国诗人，活着的时候没人知道，直到20世纪初才被挖掘出来。（FujiGS645W Fujifilm Velvia 50）

给这首长诗Auguries of Innocence
配张图，同时把诗的全文抄上来。

Auguries of Innocence

To see a world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.

A robin redbreast in a cage
Puts all heaven in a rage.

A dove-house fill'd with doves and pigeons
Shudders hell thro' all its regions.
A dog starv'd at his master's gate
Predicts the ruin of the state.

A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.

A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipt and arm'd for fight
Does the rising sun affright.

Every wolf's and lion's howl
Raises from hell a human soul.

The wild deer, wand'ring here and there,
Keeps the human soul from care.
The lamb misus'd breeds public strife,
And yet forgives the butcher's knife.

The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.

He who shall hurt the little wren
Shall never be belov'd by men.
He who the ox to wrath has mov'd
Shall never be by woman lov'd.

The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.

The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the last judgement draweth nigh.

He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them and thou wilt grow fat.

The gnat that sings his summer's song
Poison gets from slander's tongue.
The poison of the snake and newt
Is the sweat of envy's foot.

The poison of the honey bee
Is the artist's jealousy.

The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.

It is right it should be so;
Man was made for joy and woe;
And when this we rightly know,
Thro' the world we safely go.

Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.

The babe is more than swaddling bands;
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;

This is caught by females bright,
And return'd to its own delight.
The bleat, the bark, bellow, and roar,
Are waves that beat on heaven's shore.

The babe that weeps the rod beneath
Writes revenge in realms of death.
The beggar's rags, fluttering in air,
Does to rags the heavens tear.

The soldier, arm'd with sword and gun,
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.

One mite wrung from the lab'rer's hands
Shall buy and sell the miser's lands;
Or, if protected from on high,
Does that whole nation sell and buy.

He who mocks the infant's faith
Shall be mock'd in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.

He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.

The questioner, who sits so sly,
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.

The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.

When gold and gems adorn the plow,
To peaceful arts shall envy bow.
A riddle, or the cricket's cry,
Is to doubt a fit reply.

The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.

If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.

The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding-sheet.

The winner's shout, the loser's curse,
Dance before dead England's hearse.

Every night and every morn
Some to misery are born,
Every morn and every night
Some are born to sweet delight.

Some are born to sweet delight,
Some are born to endless night.

We are led to believe a lie
When we see not thro' the eye,
Which was born in a night to perish in a night,
When the soul slept in beams of light.

God appears, and God is light,
To those poor souls who dwell in night;
But does a human form display
To those who dwell in realms of day.

老校的大树富士GS645W

一张洪家楼教堂富士645w 富士superia100

洪家楼教堂富士645w Velvia50，底扫，转黑白。

济南洪家楼天主教堂，位于山东省济南市洪家楼1号，山东大学老校西侧。全国重点文物保护单位。该教堂1901年兴建，1902年，天主教山东北境教区的方济各会荷兰籍主教申永福（Ephrem Giesen）在得到庚子赔款以后，主持在洪家楼动工兴建新的主教座堂，到1905年座堂完工。

教堂由方济会会士奥地利籍修士庞会襄设计，建造者是当时孙村著名石匠卢立成带领的近千名石匠，建筑面积1625平方米，平面为拉丁十字形，教堂的外墙用石块砌成，西面的正立面有两座高大的尖顶钟楼，还有众多的小尖塔。教堂内部布满了天主教题材的壁画和雕刻，大厅可容纳800人。1906年，洪家楼天主教堂进行了扩建，洪家楼天主教堂扩建后为双塔哥特式，整座建筑面积约2600平方米，教堂大厅可容纳1000余人进行宗教活动，建筑造型和平面布置模仿了巴黎圣母院的风格。洪家楼天主教堂虽然是比较纯粹的西方建筑，但是依然可以在一些细部看出中国传统的影响，例如：教堂主厅的屋顶盖着中国传统的黑瓦，教堂中门两侧上部石墙雕有两个石质龙头等。教堂正面两侧各立着一座石砌方形钟楼塔，高48米，顶端为两个十字架，高约3米。教堂中厅为四层，两侧钟楼塔为五层，中厅和钟楼塔连成一体。中厅和两座钟楼塔正面分别有一个尖形拱门，中间主门略大，门上刻浅浮雕花卉纹饰，有精美砖雕门框。教堂内部采用罗马拜占廷式教堂建筑风格，有两排方形大石立柱40余根，柱头雕有镂空花卉。

1966年※※中被关闭。1985年12月25日圣诞节，已经关闭近20年的洪家楼耶稣圣心主教座堂天主教堂恢复开放，举行盛大弥撒。1992年被公布为山东省文物保护单位。2006年，洪家楼天主教堂前建成洪楼广场，成为济南市东部市民娱乐休闲区的中心。

中午的阳台，童年的乐园。富士645w 乐凯100，估焦抓拍

一天早晨Nikon F100， Zeiss ZF 50 1.4 Planar，富士superia100

扫描后转黑白。

继续，生活瞬间。

一个阴天的下午，孩子的妈妈在欣赏孩子的图片。Nikon F100，Zeiss ZF 25 2.8 Distagon，富士Superia100

曝光都很准！

山大的正午，左边是教堂，右边是学堂富士645w 富士Superia100

负片的色彩，就像当年洗出的照片一样，很耐看。

[柏林之围 编辑于 2009-02-13 21:59]

洪家楼教堂，山大经典视角富士645w 富士Superia100

很多山东大学老校的毕业生，毕业前都喜欢从这个角度留影，然后告别校园。

2008年12月23日傍晚，济南经四路※※※会礼拜堂Nikon F100，Zeiss ZF 25 2.8 Distagon，富士Superia100